Showing posts with label Chloe Moretz. Show all posts
Showing posts with label Chloe Moretz. Show all posts

Sunday, 15 May 2016

BAD NEIGHBOURS 2 review

After the events of the first film, Mac and Kelly Radner are expecting another baby and are planning on selling up and moving to a bigger house. Unfortunately for them, a sorority has just moved in next door and are being guided by Zac Efron's Teddy in the ways of partying and college life.

Tuesday, 9 April 2013

Carrie Trailer

There will come a time when horror remakes are bold enough to state that that is what they are. Until then, we have the likes of Carrie, which is of course based on the acclaimed novel by Stephen King and the well regarded Brian De Palma big screen version need not be mentioned here (nor the less well remembered 1999 sequel Carrie 2: The Rage which I still reckon should have been called Carrie 2: Carrie On Regardless).

This isn't something I'd say often, but I don't think the idea of remaking Carrie is completely redundant. The themes of adolescence and coming of age are timeless and De Palma's version has dated horrendously in some areas. It's still a classic of the genre, but an updated version isn't going to change that.

The core moments from the previous adaptation are all here and well displayed in the trailer (Prom, crazy mother, awkward communal showers, but now with added camera phones), with all of the effects given the requisite Hollywood makeover needed for 2013. The trailer does recall the attention given to Let Me In, another remake that starred Chloe Moretz in a central role.

Sissy Spacek is a tough act to follow, but I think that Chloe Moretz is a great screen presence and Julianne Moore looks to have nailed the role occupied by Piper Laurie in the original. The trailer does give away a little too much about the ending, but then "socially awkward teenager goes to prom" doesn't really get the crowds in; revenge fuelled shit fits do.



Directed by Boy's Don't Cry's Kimberley Peirce, Carrie arrives in cinemas at the end of November.

Monday, 26 November 2012

Whose face looks the most out of place on the poster for Movie 43?

Despite having a non-entity of a title, a trailer that makes it look like this generation's Burn, Hollywood, Burn and one of the most offensively garish posters I've ever seen, the upcoming Movie 43 has managed to secure itself an impressive cast of Hollywood A-Listers and respected comic actors. But which one of them looks the most out of place?

Could it be...

Richard Gere, who's looking right at us saying "look, I'm old, I'm miserable, and I'm in this film because I wanted something to do on the weekends".

Hugh Jackman, who is happy to remind everyone that although sometimes he looks like this, he's quite possibly the most theatrical man in Hollywood who likes to have a laugh and a joke too, and wear rather lovely knitted scarves.

Chloe Grace Moretz, who seems to be saying to herself "Naomi Watts' and Kate Winslet's names are on this poster somewhere, and I have to share a photo frame with McLovin? Wait a minute, didn't I mess you up big style in Kick Ass?"

Halle Berry, who at this point in her career is taking as many opportunities as she can to show off about how good looking she still is. She's 46 for chrissakes.

Emma Stone, who looks disappointed in her agent for getting her involved in this project. Her face seems to say "I'm better than this". Yes, Emma, you are. Also, your hair looks pretty.

And the winner is....

Johnny Knoxville, still plugging away at his acting career but not noticeably enough for the makers of this film to take a still photo of him whilst he was on set, instead putting this old candid photo of him through the photoshop mill so that he resembles Frankenstein's Monster's little brother.


Wednesday, 9 February 2011

DIARY OF A WIMPY KID DVD review

Out now on DVD and Blu-Ray is this charming comedy. Yeah, it's a kid's film, so what?
Check out the trailer and read my review, next...

Saturday, 4 September 2010

Let The Poster Campaign Begin

There's been some fuss over the remake of Let The Right One In. Did it really need remaking? Is it really acceptable to pander to audiences who can't be bothered to read subtitles? The makers of the remake Let Me In have said that they're taking it back to the source material and putting their own spin on things, but there's no way they can avoid comparisons with the Swedish original. I thought I'd take a look at the poster campaigns to see how they compare...
More after the jump...